Greetings from
Three Lives & Company!
After two and a half years of
very, well, newsy newsletters, we have finally found ourselves in
somewhat of a lull in terms of updates. To an extent, we are finally back to
the classic bookshop elements that patrons of Three Lives & Company have
long treasured: the slight slowing of time as you walk through the doors, a
quiet browse on a weekday morning, languid jazz on the radio. Somehow it feels
right that we donÕt have a lot of news for you.
There is one major exception.
After five years of building her fan base among the readers and dogs of the West
Village, our Nora is moving west to Colorado. Nora joined Three Lives in 2017,
quickly gained a following of customers eager for her recommendations and conversation,
and has been an irreplaceable co-manager of the shopÕs Book-A-Month subscription
service. Her last shift will be in early September, so stop by before then to
say farewell (and browse a collection of her all-time favorites on our theme
table).
Our one other little piece of
news is that we have expanded our notebook lineup into a proper section of its
own, adjacent to the checkout counter. Unsurprisingly, your booksellers tend to
be enthusiasts of fine journals, and we decided it was finally time to give
them their due.
Other than that, we just have
a lot of great books to look forward to – and many of us are eagerly
reading ahead into the fall and beyond. See below for our recent favorites.
~ Recent Staff
Favorites ~
This entry is
bittersweet. After five years at Three Lives, this is my last newsletter. I
cannot express how much this shop (and all of you, colleagues and customers)
means to me, so itÕs best I donÕt try. IÕm trading in skyscrapers for the Rocky
Mountains of Colorado. Please, please come by for one last chat.
Before I go, itÕs
fitting to mention Jesse BallÕs memoir Autoportrait
(Catapult). Many of you know that his 2018 book Census is my
favorite contemporary novel – and that IÕve been smitten ever since! Autoportrait, written in stream-of-consciousness
style, is a collection of moments, memories, joys, and sorrows, presented
without order. I loved this bookÕs chaotic nature and the way it mirrors real
life and thought. The last page, full of BallÕs compassion and wisdom, has a
permanent place in my heart.
On LucasÕs
recommendation, I read Tarjei VesaasÕs
Ice Palace (Peter Owen Publishers, translated by Elizabeth Rokkan), a short, beautiful novel about a defining
friendship between two young girls in Norway. First published in 1963, its
dissection of the far-reaching hold of grief and the force of forgiveness and
healing is timeless. The writing, line by line, is some of the best IÕve ever
read. And hey, if you hate summer like I do, itÕs a major bonus to escape into
a frozen, dark, fjord-filled world.
Lastly, Fernanda MelchorÕs latest novel, Paradais
(New Directions, translated by Sophie Hughes), is a knockout. Brutal, unrelenting,
yet gorgeous, the story revolves around two teenagers in a luxury complex in
Mexico. One of the boys, wealthy and entitled, lives there.
The other, poor and haunted by his past, works there. Together, they hatch a
plan targeting one of the resident families. Melchor
is a master of characterization, exposing our darkest, most destructive
undercurrents as well as humanityÕs redemptive power. – Nora
Mieko KawakamiÕs All
the Lovers in the Night (Europa, translated by Sam Bett
and David Boyd) is a lesson in nuance – a brief novel about a copyeditor,
Fuyuko, whose quiet existence offends the people
around her: she needs more friends, more interest in men, more collegiality at
work. For those in her orbit, FuyukoÕs social miscues
outweigh the more serious iniquities committed against her. But KawakamiÕs book
isnÕt a simple morality tale: I ended the novel not quite sure what Kawakami
herself thought of her characters – her ÒvillainsÓ are not necessarily such,
and Fuyuko herself is no kind
of hero. Their uncertain contours had me reevaluating All the Lovers long
after it was back on the shelf.
I must once again
extol the virtues of Lawrence Osborne, the British writer who, despite our best
efforts, is still sorely underread in the States. His
latest novel, On Java Road (Hogarth), plumbs the sordid balancing
act of Hong KongÕs ultra-rich during ChinaÕs democracy crackdowns. Despite its omnipresent
sense of menace and violence, the book is really an observation of class
machinations and the insulation from consequence that wealth confers. (ItÕs
also a longing portrait of a city unique in the world, as the promise of its postcolonial
future crumbles under police batons and teargas.)
My backlist blitz
continues, also, with two New York Review titles that have been sitting on my pile
for years finally getting their due: Patrick Leigh FermorÕs
elegiac and erudite pre-World War II travel narrative A Time of Gifts,
and J.G. FarrellÕs Troubles, another sharp satire of the sunÕs
slow setting on the British Empire. – Ryan
Boy, do I have the read to
kick off your fall. Helen DeWitt, author of the revered novel The Last
Samurai, is back with a never-before-published novella that New Directions
is releasing as part of their new Storybook series. All of 64 pages, The
English Understand Wool (on sale September 27) is a stunner. I donÕt
want to give away much of the plot because half the fun is the twists and
reveals, but the other half of the pleasure is the perfectly and thoroughly
realized voice of the narrator: sharp, entitled, witty, extremely
clever. Polish it off in a single sitting or drag out the experience of being
in the book – youÕre in for a total treat either way.
I feel a particular
combination of joy and unease when I hear one of my favorite authors has a new
book coming out. Can they really replicate the magic of the previous work(s)?
With The Marriage Portrait (Knopf, September 6), her third
consecutive marvel after Hamnet and I
Am, I Am, I Am, Maggie OÕFarrell has banished that doubt evermore. Here she
weaves the story of Lucrezia deÕ Medici, who, in 1560
at the age of fifteen, left her fatherÕs court to marry Alfonso II, Duke of
Ferrara, a man she knew not at all and whose first appearances proved quite
deceiving indeed. Less than a year later, Lucrezia
was dead, and OÕFarrell uses this historical record (and the existence of one
surviving painting) to imagine her way into the life of an extraordinary woman
faced with the loss of her freedom, independence, and known universe. Brava to
OÕFarrell for making my heart soar once again.
The powers that be wonÕt let
me squeeze in much more, so just a brief shout-out for Shrines of Gaiety
(Doubleday, September 27), Kate Atkinson's latest, set
in the nightlife underbelly of 1920s London. Such fun! –
Miriam
I had just
finished Trust by Hernan Diaz
(Riverhead) when I started working at Three Lives, and two months later itÕs
still one of the books I think about most. Employing an intricate structure and
a dispassionate, almost clinical prose style, Diaz uses the conflicting voices
of multiple narrators to get at the heart of who gets to tell stories and what
makes us listen to them. Elegantly written and ingeniously crafted, itÕs a
rewarding dissection of financial structures and Gilded Age power dynamics that
I look forward to returning to.
On a friendÕs recommendation, I spent several weeks
of July tackling Ken KeseyÕs Sometimes a Great
Notion (Penguin), a dense, hypnotic, stream-of-consciousness
epic following the trials of a clan of loggers in rural Oregon working in
defiance of a union strike. KeseyÕs world-weary and
complex characters are all unforgettable, and his prose paints foreboding
images of thrashing rivers and misty, verdant forests. The point of view, which
jumps from character to character without warning, occasionally verges on overstimulating, but it allows for an unmatched depth of perspective
as the plot surges towards its breathtaking climax. ItÕs a novel brimming with
vitality and atmosphere, a shaggy, towering creation unlike anything IÕve ever
read. – Nick
My early morning Rockaway
adventures continue with more frequency in the summer months
(luxurious to be in the warmer water!) and, with the additional trips, I have a
lot more uninterrupted reading time on the A train. IÕve been reading ahead on
these trips, early copies of fall titles, and enjoying so much of it. Andrea
Barrett, a longtime favorite of mine, returns mid-September with another
masterful short story collection, Natural History (W.W. Norton,
September 13). One of my most pleasurable reading experiences of the year so
far is Ian McEwanÕs new novel Lessons (Knopf, September 13), a
deeply engaging and entertaining portrayal of one Roland Baines, encompassing
the full arc of his life, from the onset of the Cold War through to Covid (and those piano lessons that changed him forever).
Published just last week, the
latest novel from the recent Nobel laureate Abdulrazak
Gurnah, Afterlives (Riverhead), is an
insightful look at the effects of colonialism during the rarely portrayed
German conquest in East Africa. And, lastly, I went back and finally read a
favorite of one of the Three Lives founders, Jenny: the spectacular The
All of It by Jeanette Haien (Harper), a
portrait of a rural Irish community rendered through a womanÕs stunning
confession to the local priest. I will long remember EndaÕs
powerful tale and iron will. – Toby
At last an end in sight to
this sultry, sweaty August – and you know what that means for all you
book-lovers! Yep, the Fall List is arriving, big time! And itÕs pretty
satisfying. For me, a new book by Lawrence Osborne is an event, and
IÕm just pages away from finishing his newest, On Java Road. Which,
of course, because it is Mr. Osborne, is a stylish masterclass of human nature, worldly corruptions, and the
complexities of cultures and societies and beliefs. This is posh,
extravagant Hong Kong simmering with pro-democracy demonstrations and the
shifting sands of regime change narrated through the world-weary eye of one
expat Englishman. There is so much to think about on every page that, well, it
hurts my head a little – but IÕm deep in and loving it.
Also pretty thrilling to hold
in my hand is Properties of Thirst by Marianne Wiggins (Simon
& Schuster). What a terrific writer and storyteller she is, and IÕm so
ready to indulge myself in this big, sweeping California novel! – Joyce
This summer, I gravitated
toward books that I should have read years ago. I finally picked up two that,
although I had promised to read them when they were initially recommended to
me, I ended up neglecting until now.
Weike WangÕs debut novel Chemistry (Vintage)
is captivating from the first page. Wang hides insight and beautiful
prose in what seems like a beach read. ÒQuirkyÓ is an understatement for this
book, which follows a burnt-out Ph.D. student who meets her boyfriendÕs
marriage proposal with ambivalence. The plot moves quickly, through countless
therapy sessions and many flashbacks to the narratorÕs Chinese immigrant
upbringing. Sprinkled with humor and chemical analogies, Chemistry
surprised me in the best way possible.
Americanah by Chimamanda Ngozi Adichie (Anchor) was
published almost ten years ago and became an immediate hit. Right after
starting, I regretted not reading it sooner. Ifemelu
and Obinze begin as high school sweethearts in
Nigeria, but they quickly develop separate narratives as the former emigrates to
the United States and the latter to England. IfemeluÕs
chapters are a gift; they seamlessly transition through a modern-day
interaction in a hair salon, IfemeluÕs immigration
story, and entries from her blog on race. Adichie
hits just the right balance between telling a riveting story and presenting a
nuanced analysis of how the U.S. deals with race. –
Mia
Every
reader has their perfect book, or
books, just as surely as every book has its perfect reader. Those books can be
elusive: maybe theyÕre rare or out of print, or only available in sketchy
translations. But mostly, I think, theyÕre hiding in plain sight, somewhere you
didnÕt expect to find your next great read. ThatÕs how I felt about Your
Face Tomorrow (New Directions, translated by Margaret Jull Costa), a
genre-bending masterpiece from the Spanish writer Javier Mar’as.
Written as one mammoth novel and published in three volumes (Fever and
Spear, Dance and Dream, and Poison, Shadow, and
Farewell), itÕs a book I didnÕt know I needed until I was halfway through
the first installment.
Your Face Tomorrow is a spy novel, at least on its face. Our protagonist
is a man with many names. Middle-aged and recently separated from his wife, he
floats between the BBC in London and linguistic work at Oxford, where he stumbles,
almost by accident, into a dinner party that will change the course of his
life. Soon enough heÕs working for a shadowy organization that may well be MI6, falling under the spell of a charismatic older agent
who is never quite the man he claims to be. From the simple seductions of the
espionage thriller, Mar’as weaves a tale of hypnotic
complexity, a metafiction thatÕs thrilling,
frustrating, and completely original. Ranging over the Spanish Civil War, the
British governmentÕs Òblack propagandaÓ campaigns in WWII, ShakespeareÕs
history plays, and much more, Mar’as asks what the
past should mean to the present, and what the living owe the dead. A literary
thriller for those who are thrilled by literature, Your Face Tomorrow is
demanding and extremely rewarding. – Lucas
~ Signed
Editions ~
Fiction
Human Blues by Elisa Albert (Avid Reader)
Cult
Classic by Sloane Crosley (MCD)
Upgrade by Blake Crouch (Ballantine)
Woman of
Light by Kali Fajardo-Anstine (One World)
Intimacies by Katie Kitamura (Riverhead)
A
Separation by Katie
Kitamura (Riverhead)
Mercury
Pictures Presents by
Anthony Marra (Hogarth)
Total by Rebecca Miller (Farrar, Straus and
Giroux)
Carrie Soto Is Back by Taylor Jenkins Reid (Ballantine)
The Rule of
Three by E.G. Scott
(Dutton)
A Gentleman
in Moscow by Amor Towles (Penguin)
The Lincoln
Highway by Amor Towles (Viking)
Rules of
Civility by Amor Towles (Penguin)
Nonfiction
Mean Baby by Selma Blair (Knopf)
Left on
Tenth by Delia Ephron
(Little, Brown)
Last Call by Elon Green
(Celadon)
Empire of
Pain by Patrick Radden Keefe (Doubleday)
Say Nothing
by Patrick Radden Keefe (Anchor)
The
Snakehead by Patrick Radden Keefe (Anchor)
Good &
Sweet by Brian Levy
(Avery)
Marvelous
Manhattan by Reggie Nadelson (Artisan)
~ The Three Lives & Company Bestseller
List ~
1. Shy
by Mary Rodgers and Jesse Green (Farrar, Straus and Giroux)
2. Last
Summer in the City by Gianfranco Calligarich,
translated by Howard Curtis (Picador)
(tie) 3. Funny You Should Ask by Elissa Sussman (Dell)
(tie) 3. Every Summer After by Carley Fortune (Berkley)
5. Happy-Go-Lucky
by David Sedaris (Little, Brown)
6. The
Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Washington
Square)
7. Tomorrow,
and Tomorrow, and Tomorrow by Gabrielle Zevin
(Knopf)
8. When
We Cease to Understand the World by Benjamin Labatut,
translated by Adrian Nathan West (New York Review Books)
(tie) 9. Secrets of Happiness by Joan Silber
(Counterpoint)
(tie) 9. Intimacies by Katie Kitamura
(Riverhead)
_ _ _ _ _ _
_
SPECIAL
ORDERS:
A
reminder that we specialize in special orders. In our small shop itÕs always a challenge to find room for all the new, notable, and
exciting books; if youÕd like a book that we donÕt have on hand, we are always happy to order it for you. We
place orders almost daily and the usual turnaround time for a special order is
one or two business days. For some books it may take longer, but weÕll be sure to discuss the particulars with you before we place
an order. Additionally, we can ship books to you anywhere within the United
States. Give us a call, send us an email, or stop in any time.
PREORDERS:
We are happy to
take preorders for forthcoming titles, and we will let you know as soon as the
book arrives. We are all too familiar with the fervid desire to possess a new
book at the first possible moment, and we will do everything in our power to
make sure the book lands in your hands hot off the presses.
GIFT
CERTIFICATES:
We offer gift
certificates, which you may purchase in any amount.
Three Lives
& Company, Booksellers
154 W. 10th St.
New York NY 10014
212.741.2069
threelives.com
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